< Go Back to Collection
QUR 343, fols 307b–308a
QUR 343, fols 307b–308a

Single-volume Qur’an

QUR 343

Ottoman Balkans, probably Shumen

dated 1266 AH (1849–50 AD)

QUR 343, fols 307b–308a
QUR 343, fols 3b–4a
QIR 343, fols 281b–282a
QUR 343, fols 293b–294a
QUR 343, fol 293b, detail
QUR 343, fol 306b

Single-volume Qur’an

QUR 343

Ottoman Balkans, probably Shumen

dated 1266 AH (1849–50 AD)

ink, gold and opaque watercolour on paper; contemporary binding with flap of brown morocco painted in gold; paper doublures and fly leaves with floral designs

main text copied in naskh script, incidentals in riqa‘; 15 lines to the page

308 folios; 17.1 x 11.7cm

The scribe was a pupil of Hüseyin Vehbi, who lived at Shumen in Bulgaria on the borders of the Dobruja. During the late Ottoman period, Shumen was an important provincial centre for the copying, illumination and binding of high-quality, small-format Qur’ans, which found a ready market in Istanbul and were even acquired by the palace.

The rich illumination combines acanthus scrolls and elements from the classical Ottoman repertoire of chinoiserie, arabesque and European rococo motifs into new forms. Such works demonstrate the vigour of traditional local styles even into the mid 19th century, when Ottoman decoration was much influenced by European tastes. 

M. Bayani,T. Stanley & J.M. Rogers, The Decorated Word. Qur’ans of the 17th to 19th Centuries, The Nasser D. Khalili Collection of Islamic Art, volume IV, Part Two, London 2009, cat.54, pp.230–31. J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.264, pp.228–9.