ink, gold and opaque watercolour on vellum
copied in Kufic script; 17 lines to the page
20 folios; 17.6 x 25cm
Text: surah al-Anbiya’ (XXI), verse 62, to surah al-Shu‘ara’ (XXVI), verse 113.
The two quires come from the earliest extant Qur’an from Muslim Sicily, which in the 10th century was under the Fatimid caliphate and only fell into Christian hands in the late 11th century. It is also the only known Qur’an from a Fatimid scriptorium. It carefully observes the distinction between thick and thin strokes characteristic of Qur’ans from the late 10th century onwards and the regularity of its lineation is shown by the justification of both margins, despite the absence of rulings to guide the scribe. Both the marginal inscriptions, giving textual divisions, and instructions for prostration (sajdahs) are written in a hand which by the date of the Qur’an must have been obsolete. The gold surah headings, with marked elongation of certain letters, are similarly archaic. The use of vellum rather than paper at this relatively late date and the oblong format reflect the conservatism of the western Islamic world.
F. Déroche, The Abbasid Tradition, The Nasser D. Khalili Collection of Islamic Art, vol. I, London 1992, cat.81, pp.146–51. J.M. Rogers, The Arts of Islam. Masterpieces from the Khalili Collection, London 2010, cat.63, p.74.